Generations of readers have traveled to Neverland and all the secret places of a child’s heart. A story rich in adventure, humor, and sadness, J.M. Barrie’s masterpiece remains a stirring call to flights of imagination.

With a magic and emotional appeal unmatched by any other story, Barrie’s Peter Pan speaks directly to childhood’s dreams and desires with an imaginative genius that evokes both laughter and tears. Peter, the boy would wouldn’t grow up; Nana, the Darling children’s nurse and pet Newfoundland; deliciously dreadful Captain Hook, who is stalked by a crocodile with a clock in his stomach; and Tinker Bell, “quite a common fairy,” who swears like a sailor and is murderously jealous—these characters of startling originality are rich, funny, mischievously insightful, and a joy to read about again and again. The result is a masterpiece of literature that has been working its timeless wonderment on us since it first appeared.
 
With an Afterword by Alison Lurie
Illustrated by Sergio Martinez”All children, except one, grow up.” Thus begins a great classic of children’s literature that we all remember as magical. What we tend to forget, because the tale of Peter Pan and Neverland has been so relentlessly boiled down, hashed up, and coated in saccharine, is that J.M. Barrie’s original version is also witty, sophisticated, and delightfully odd. The Darling children, Wendy, John, and Michael, live a very proper middle-class life in Edwardian London, but they also happen to have a Newfoundland for a nurse. The text is full of such throwaway gems as “Mrs. Darling first heard of Peter Pan when she was tidying up her children’s minds,” and is peppered with deliberately obscure vocabulary including “embonpoint,” “quietus,” and “pluperfect.” Lest we forget, it was written in 1904, a relatively innocent age in which a plot about abducted children must have seemed more safely fanciful. Also, perhaps, it was an age that expected more of its children’s books, for Peter Pan has a suppleness, lightness, and intelligence that are “literary” in the best sense. In a typical exchange with the dastardly Captain Hook, Peter Pan describes himself as “youth… joy… a little bird that has broken out of the egg,” and the author interjects: “This, of course, was nonsense; but it was proof to the unhappy Hook that Peter did not know in the least who or what he was, which is the very pinnacle of good form.” A book for adult readers-aloud to revel in–and it just might teach young listeners to fly. (Ages 5 and older) –Richard Farr