To this irresistible debut collection of short stories, Richard Russo brings the same bittersweet wit, deep knowledge of human nature, and spellbinding narrative gifts that distinguish his best-selling novels. His themes are the imperfect bargains of marriage; the discoveries and disillusionments of childhood;the unwinnable battles men and women insist on fighting with the past.

A cynical Hollywood moviemaker confronts his dead wife’s lover and abruptly realizes the depth of his own passion. As his parents’ marriage disintegrates, a precocious fifth-grader distracts himself with meditations on baseball, spaghetti, and his place in the universe. And in the title story, an elderly nun enters a college creative writing class and plays havoc with its tidy notions of fact and fiction. The Whore’s Child is further proof that Russo is one of the finest writers we have, unsparingly truthful yet hugely compassionate and capable of creating characters real that they seem to step off the page.In The Whore’s Child, Richard Russo’s first collection of short fiction, the 2002 Pulitzer Prize-wining author of Empire Falls explores difficult emotional territory while retaining the assured wisdom and humor of his best work. Infidelity, self-reflection, and the fallibility of memory come into consideration in this entertaining and perceptive collection. The book’s titular story sets the tone for the whole: an elderly nun crashes a college writing workshop and composes her own life story, sharing the details of her childhood growing up in a convent as the abandoned daughter of a prostitute. As her troubling story unfolds, the class realizes the fictions she has unknowingly imposed upon it. Other stories examine familial relationships and responsibility: the bittersweet “Joyride” follows the desperate road trip of a mother and son, each running from troubles they won’t admit to. The collection’s best and most lighthearted story, “The Mysteries of Linwood Hart,” explores the daydreaming, curious mind of 10-year-old Linwood as he ponders the self-defeating behavior of his family, the desires of inanimate objects, and his perceived place at the center of the universe. Russo surveys these subjects with skilled ease and accuracy, communicating a quiet understanding of his characters and their personal yet universal concerns. Russo, like Flannery O’Connor, has a gift for conveying the absurdity and severity of everyday life with brutal honesty, humor, and compassion: It was an awful place, but Lin understood it was as perfectly real as every place else in the world, which was large beyond imagining, containing every single place he himself had ever been or never would see in his entire life. Uncommon in its natural insight, The Whore’s Child recognizes the often unwelcome realities of experience and is all the more exceptional for it. –Ross Doll

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