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The Wind in the Willows (Sterling Illustrated Classics)

October 30, 2016 - Comment

This post contains affiliate links. As an Amazon Associate I earn from qualifying purchases Another beautiful book by renowned artist Robert Ingpen in the popular Sterling Illustrated Classics series. For more than a century, The Wind in the Willows and its endearing protagonists–Mole, Mr. Toad, Badger, and Ratty–have enchanted children of all ages. Whether the four

This post contains affiliate links. As an Amazon Associate I earn from qualifying purchases

Another beautiful book by renowned artist Robert Ingpen in the popular Sterling Illustrated Classics series. For more than a century, The Wind in the Willows and its endearing protagonists–Mole, Mr. Toad, Badger, and Ratty–have enchanted children of all ages. Whether the four friends are setting forth on an exciting adventure, engaging in a comic caper, or simply relaxing by the River Thames, their stories are among the most charming in all English literature. This keepsake edition of Kenneth Grahame’s beloved novel features gorgeous art throughout, making it a must-have for every child’s library.Inspired by correspondence from Wind in the Willow’s author Kenneth Grahame to his young son, award-winning illustrator Michael Foreman took up paint and brush to follow Mole, Ratty, Mr. Badger, and Toad through another edition of this well-loved kids classic.

Grahame’s time-honored story, an adventure-filled idyll that meanders across a lovingly described English countryside, cemented its status as a masterpiece generations ago. But this newest edition adds some noteworthy extras: the unabridged text includes two chapters that don’t appear in some modern versions (“The Pipers at the Gates of Dawn” and “Wayfarers All”), and the book closes with reproductions of two of Grahame’s actual letters to his son Alistair (“My darling Mouse”) in 1907, written on ornate, old-timey stationery from two Cornwall hotels and recounting one of Toad’s first adventures (which Toad fans will recognize as the train-assisted escape of a certain “washerwoman”).

These inclusions alone might merit a new edition, but Foreman’s illustrations stand shoulder to shoulder with those of previous Winds artists (among them Ernest Shepard, the original illustrator, and Arthur Rackham, both of whom Foreman modestly stands “in awe” of). The lively, full-color illustrations appear generously throughout the book, as they convincingly capture both the story’s small moments (like the washerwoman’s weeping, for one) and more explosive events (like the storming of Toad Hall). (All ages) –Paul Hughes

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